4.7  HARMONY TABLE EXCHANGE
       through LIP PRESSURE
 
With your lip pressure you can interchange chords from three harmonizing techniques for each note that you play.  So different voicing techniques can be applied to every note in the scale.
 
Use the following fingering to activate / deactivate this function:
 
high Eb, low D, E, & C OFF  (chords from the same harmony table)
high Eb, low D, E, & Eb ON    (chords from 3 consecutive 
harmony tables)
 
When activated, chords are selected from harmony tables as follows:
 
loose lip pressure: selected harmony table (i.e. thirds)
medium lip pressure: selected harmony table + 1 (i.e. fourths)
high lip pressure: selected harmony table +2 (i.e. seconds)
Any of the 9 given harmony tables can be selected as your basic chord table (s. 4.4)
 
As a result, you have a choice of many possibilities:
Lip pressure:  low medium high
(1) thirds 1 (2) fourths 1 (3) seconds 1
(2) fourths 1 (3) seconds 1 (4) thirds 2 (*)
(3) seconds 1 (4) thirds 2 (*) (5) fourths 2 (*)
(4) thirds 2 (*) (5) fourths 2 (*) (6) seconds 2 (*)
(5) fourths 2 (*) (6) seconds 2 (*) (7) thirds 3 (*)
(6) seconds 2 (*) (7) thirds 3 (*) (8) fourths 3 (*)
(7) thirds 3 (*) (8) fourths 3 (*) (9) seconds 3 (*)
(8) fourths 3 (*) (9) seconds 3 (*) (1) thirds 1
(9) seconds 3 (*) (1) thirds 1 (2) fourths 1
 
(*) = user definable harmony tables
 
M U S I C A L   A P P L I C A T I O N S 
 
- Choosing chords from various harmony tables through lip pressure is probably one of the most powerful ways to deal with DYNAMIC HARMONY.
- Without leaving the current harmonic context you can come up with some very extensive re-harmonization techniques.